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I read to page nine and found a great descriptive of sex with the character Ni Ni. I was under the impression that this was a must read from the other reviews. The quote on the cover from Fergal Keane says he cannot imagine a better book on the beauty and terror of Burma. "He rose inside her, so deep that she thought she might burst". Not my kind of book on beauty and the terror of any land.
We would be no better than the foreigner who used Ni Ni and discarded her after use, who took without caring what he took away. I was charmed by the generosity, friendliness, sincerity, warmth, hospitality, honesty, dignity and courage of the people.
Ni Ni's short life was a snapshot of the helplessness, courage and tragedy of the Burmese people under the rule of a brutal, corrupt and repressive regime. I was captivated by the book from the first story to the end.
Throughout the book, I felt anger, sadness, admiration and humbleness. The search of an old basket weaved the stories and observations very nicely together.
It was quietly powerful, a non-provocative, dignified and compassionate account of Burma. I wish the tourists and merchants could show more consideration and respect to Burmese people, culture, resources, environment and heritage.
The nation deserves better and this book helps us to understand its plight and hope.
This evocative book has haunted me since I first read it last year. His uniquely personal involvement in the story and first person narration make the experience immediate and compelling, and as the reader finds herself drawn into his accessible story of the quest, so she gains rare knowledge of what might have remained unknowable: Burma and its people. Rory MacLean weaves the story of his search for traditional Burmese culture (in the form of an antique basket)together with the tragic and profoundly moving lives of some contemporary Burmese. His harrowing and potentially deadly experience at the work's climax, takes his story and experience of Burma far beyond traditional travel literature, as his terror, on the one hand, and frustration and sadness about the destruction of Burmese traditions, on the other, grippingly recall the fear and loss of his earlier subjects.As he was in his earlier works, the author, is an intriguing character in this book. The basket story not only creates suspense and unifies the book; in a small way, it brings the reader into the drama and emotion experienced by contemporary Burmese.This book transcends its genre, and warrants reading and rereading. I highly recommend it.
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